She, too, wants to be a hunter and learn from the best aboard the Inevitable. When the hunters head back out to sea, they realize they have a stowaway: a young orphan named Maisie (Zaris-Angel Hator), whose parents died on a monster-hunting ship. He strikes a deal with the king and queen, who've built their own ship and threaten to fire the hunters if they aren't able to bring in the Red Bluster after one last try. Captain Crow (voiced by Jared Harris) of the Inevitable is consumed by vengeance and wants to kill the beast that took his eye. But there's one beast that continues to evade them: the Red Bluster. In THE SEA BEAST, sea monsters have been nearly eradicated from the shores of the kingdom of Three Bridges, thanks to the help of the brave monster hunters. And the film boasts a diverse cast, including a young, strong female character who's kind, optimistic, and brave. Adult characters drink, and language includes "bloody hell" and "ass." The story shows the power of young people's standing up for others and making a big difference, as well as teamwork, integrity, and looking past the surface of a situation.
There are swashbuckling sword fights and close calls with drowning, an adult points a gun at a child, and a child wields a knife.
Chaos and fighting lead to a child getting seriously injured, and a little blood is briefly shown. Monster hunters attack and kill the giant creatures with a variety of weapons (spears, cannons, etc.). It includes animated action violence and potentially scary images of enormous sea monsters attacking ships and causing destruction. Urban Tale is a very sterile and disengaged film, that somehow seems to have tricked itself into thinking that it has terribly important things to say.Parents need to know that The Sea Beast is a thrilling adventure about a young orphan who stows away on a sea-monster-hunting ship and embarks on a journey that could change history. Style complements substance it can’t replace it. But all these fail to make up for a fundamental lack that pervades the film. The cinematography is exquisite, with gorgeously framed shots and intriguing camera angles. It is a pretty film to look at, it must be said. Certainly, the prurience with which Urban Tale negotiates male nudity – which I’ve talked about before and won’t bother going over again – is strikingly timid, the very antithesis of the radical claims that the film stakes for itself. Truth is, it all seems rather quotidian, even conventional. In style, execution and, um, length, it is clearly intended to grab us by the short and curlies. Take the sex, for example (and there is quite a lot of this to take). But where it thinks of itself as brash and daring, it is instead quite conformist. Urban Tale, to be fair, has a couple of interesting things to say about the irresistible cynicism that replaces the optimism of youth, the inevitability of one’s capitulation to the conformity of a deeply unimaginative age. The thing though is that it is always going to be the message, rather than the medium, that matters. Think of it as a wilful provocation from transgressive sexual conduct to a perhaps unfortunate preoccupation with anal polyps, Urban Tale agitates for our attention from its very first frames. It is, I suppose, the film-maker’s right to make a film as misanthropic, sexualised and stylised as Urban Tale. Including, it seems, this risibly misjudged film.
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From now on it is finally full sex, 24 hours a day, sex in your face, in Hi-Definition on prime time. No more self righteous programs with hidden messages. We’ll watch with our tongues hanging out. Don’t just hint, give us full penetrations. Women accentuate everything except their minds. We do not speak to each other in words, we declaim at one another in paragraphs. They tell us the things they think that we do not know. Sometimes, the others talk as well as fuck. Our father, he left us when we were small. Our mother has died and we are alone in the world. We have a preternatural passivity, and we speak only in declamatory monologues. We don’t have names, because we are Everyman and Everywoman. This is Urban Tale, written and directed by Eliav Lilti, and we are Boy and Girl. Maybe I will just stare meaningfully instead, and then you will understand. Too complacent and too bourgeois, I repeat in case you did not understand the first time. I want to shock you, shock you because you have become too complacent and too bourgeois.
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